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Nakon samodisintegracije u vremenu (19,35)\n2. Slijediti stvarnost raspadanja vremena (20:42)\n\nUkupno vrijeme 40:17\n\nPostava / Glazbenici\n- Walter Heinisch / MicroMoog synth, Mellotron, gitara\n- Gerhard Lisy / sintisajzeri (ARP 2600, VCS3), sekvenceri\n- Karl Kronfeld / Roland Studiosystem 700 sintesajzer, sekvencer\n\nObjavljuje informacije\nUmjetni\u010dko djelo: Rudolf AigelsreiterLP\n\nCBS - 84663 (1980,Austrija).............Upravo sam otkrio kulturnu buku. Pa, bolje ikad nego nikad, ali onda s ovako nejasnom glazbom, nisam nimalo iznena\u0111en \u0161to nikad prije nisam znao za ove momke. Cultural Noise jedina je austrijska skupina za koju znam da svira elektroni\u010dku glazbu Berlinske \u0161kole (znam da je Paul Haslinger bio Austrijanac, ali bio je \u010dlan Tangerine Dreama krajem 80-ih). Poput Tangerine Dreama iz sredine 70-ih, ovi momci su koristili sekvencere, mellotron i analogne sintete. Ali oni ne poku\u0161avaju imitirati TD zvuk, iako je utjecaj malo o\u010digledan. Sekvenceri su obi\u010dno zloslutniji, a ova skupina ima naviku naglo neo\u010dekivano zaustaviti sekvencere (TD ih je imao naviku izblijediti kad im \u017eele dati odmor, o\u010digledan primjer je pri kraju Rubycona) i oti\u0107i na \u010dudniji teritorij. Negdje bend radi citat od Bacha na synthu. Stvarno mi se svi\u0111a raspolo\u017eenje koje ovi momci stvaraju. Ovaj se album pojavio 1980. godine na CBS-u, ali originalni LP sada je vrlo te\u0161ko prona\u0107i i skup. Pro\u0161ao je kroz drugi presing, koji je sam bend objavio 1981. godine, ali se mo\u017ee razlikovati po generi\u010dkoj crno-bijeloj naslovnici. Ne mogu vjerovati da jo\u0161 uvijek pronalazim nejasnu i nevjerojatnu elektroni\u010dku glazbu. Upravo tamo s onima poput Zanova ili Anne Sj\u00e4lv Tredje (iako Zanov u posljednje vrijeme dobiva mnogo vi\u0161e pa\u017enje nego ikad prije zahvaljuju\u0107i tome \u0161to je njegov stra\u017enji katalog ponovno izdan i potpuno nove snimke od njega) kada je rije\u010d o sjajnoj opskurnoj elektroni\u010dkoj glazbi. Ovaj album je uistinu vrijedan va\u0161e pa\u017enje i o\u010dito mi je najdra\u017ei iz 1980. godine\u2026\u2026\u2026\u2026..Ladislav&zivanovic\u2026\u2026.I just discovered cultural noise. Well, better late than never, but then with music this vague, I'm not at all surprised I've never known about these guys before. Cultural Noise is the only Austrian group that I know of playing Berlin School electronic music (I know Paul Haslinger was Austrian, but he was a member of Tangerine Dream in the late 1980s). Like tangerine dream from the mid-'70s, these guys used sequencers, mellotrons and analog synths. But they do not try to imitate the TD sound, although the impact is a little obvious. Sequencers are usually more ominous, and this group has a habit of abruptly unexpectedly stopping sequesters (TD had a habit of fading them when they want to give them rest, an obvious example is near the end of Rubycon) and go to stranger territory. Somewhere the band is doing a quote from Bach on the synth. I really like the mood these guys create. This album appeared in 1980 on CBS, but the original LP is now very difficult to find and expensive. He went through a second press, which the band itself released in 1981, but may differ in the generic black-and-white cover. I can't believe I'm still finding vague and amazing electronic music. Right there with the likes of Zanov or Anna Sj\u00e4lv Tredje (although Zanov has recently been getting a lot more attention than ever before thanks to his back catalogue being reissued and brand new recordings from him) when it comes to great obscure electronic music. This album is truly worthy of your attention and is obviously my favorite from 1980........... 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